Rudy Cahayadi

French director Alexandre Aja adds to his growing canon of horror features with this remake of the Korean feature GEOUL SOKEURO (2003). Kiefer Sutherland stars as Ben Carson, a disgraced former New York City cop who attempts to put his checkered past behind him by taking a job as a security guard. Carson is required to take the night shift in a department store in the city. The store closed down after a fire put an end to its business, and Carson soon discovers that malevolent spirits are lurking behind its walls. The spirits connect with the human world through the mirrors in the store, and when they discover Carson\’s presence they go after his ex-wife, Amy (Paula Patton), and his kids (played by Erica Gluck and Cameron Boyce). Carson attempts to figure out the meaning of a cryptic message carved into one of the mirrors, hoping it will save his family and cut off contact with the malignant lurking presence.<br><br>Aja successfully replicates much of the tension and edge-of-your-seat moments that he managed so skillfully in HAUTE TENSION (2003). The film begins with an unnerving set piece in which Carson\’s predecessor takes a shard of mirror and slashes his own throat, and it\’s an indication of the gore-filled fun that awaits intrepid viewers. Aja creates a palpable sense of unease by shooting dim-lit set pieces in the department store. Sutherland makes for a convincing lead in a character that closely resembles his turn as Jack Bauer in 24. There are plenty of genuine scares in the film, and the director ultimately spins MIRRORS as a cross between a psychological thriller in the vein of the POLTERGEIST movies and a no-holds-barred splatter flick.

When the box office champ Ben Stiller\’s comedic performances aren\’t a variation on a soft-spoken, put-upon everyman with an eventual fuse, he\’s usually playing a full-blown absurdist monster with an apoplectic Napoleon complex. These bizarre creations usually adorn films in which the funnyman provides the supporting work (DODGEBALL, HEAVYWEIGHTS), but, whenever he\’s directing, he\’s free to build an entire filmic universe around his asinine, ludicrously funny, culture-skewering characters and premises. His ZOOLANDER (2001) bit at the entertainment industry with silly abandon, but Stiller has firmly set TROPIC THUNDER within the realm of sophisticated Hollywood satire. In it, a desperate director named Damien Cockburn (Steve Coogan) trying to make a Vietnam war movie drops his pampered actors into the heart of the jungle. Cockburn\’s stars include Stiller as an action hero who\’s starting to make bad career choices, Jack Black as an insecure low-brow comedy star going through heroin withdrawals, and Robert Downey Jr. as an Australian Oscar winner so lost in his “craft” he underwent a procedure to become black for his role. In the jungle, they remain under the delusion that they are still being filmed even after they encounter a dangerous gang of druglords. The film\’s basic premise has popped up several times since Hollywood\’s 1970s golden age in films such as THREE AMIGOS! and GALAXY QUEST. Where those films simply blanketed a classic Overconfident Bumbling Idiot comedy showcase with a pop culture lexicon, however, TROPIC THUNDER could have only been made, as on-the-nose at is, by people who have been working in the Hollywood system for years, making cutting observations along the way. Simply put, this raucous satire knows big-budget filmmaking, the delusional narcissism of actors, and even the good points of those actors–perhaps why they\’re celebrated–like the back of its hand.

Shelley (Anna Faris) is proud of her status as a bubbly blond Bunny, that is, until she gets kicked out of the Playboy Mansion for reaching the ripe old age of 27. So Shelley is forced to be the new house mother for the Zeta Alpha Zeta sorority, where she uses her talents to transform the plain jane sisters into cute boy magnets. Colin Hanks, AMERICAN IDOL\’s Katharine McPhee, and Emma Stone costar in this giggle-filled comedy.

Filled with spectacular action and sharp banter, THE MUMMY: TOMB OF THE DRAGON EMPEROR finds the dashing Rick and Evelyn O\’Connell (Brendan Fraser and Maria Bello, who took over for Rachel Weisz) called upon for another world-saving adventure. The film opens in 50 B.C., when the ruthless Dragon Emperor (Jet Li) seeks to conquer one last enemy, death, and become an immortal ruler. But when the Emperor betrays an obliging sorceress (Michelle Yeoh), he and his army are cursed to spend an eternity in statuesque limbo. Fast forward to 1946, when Rick and Evelyn are struggling to adapt to their self-imposed retirement. But the fates have other plans, and soon the O\’Connells are crossing paths with their somewhat estranged son, Alex (Luke Ford). While enthusiastically carrying on the family\’s tomb-raiding traditions, Alex has unwittingly brought the Dragon Emperor back to life. With the world in peril, the O\’Connells must overcome their differences to prevent the Dragon Emperor from gaining immortality for himself and his army. Along the way they\’re joined by a mysterious young woman (Isabella Leong), a wily pilot, and a trio of Abominable Snowmen. Jumping from Shanghai to the Himalayas to the Chinese desert, director Rob Cohen (THE FAST AND THE FURIOUS) takes audiences on a breathless adventure that continues THE MUMMY\’s love of quick wits, close calls and big battles. The result is a spirited romp that proves evil is no match against a family united.

Roger Corman\’s cult classic film DEATH RACE 2000 gets a fast-moving follow-up with director Paul W.S. Anderson (AVP: ALIEN VS. PREDATOR) behind the wheel. Jason Statham (THE TRANSPORTER) plays Jensen Ames, a prisoner who is serving a sentence for a crime that he didn\’t commit. But in this futuristic society, Ames can compete for his freedom with a victory in a brutal three-day race.

While it might sound outlandish to speak of THE PINEAPPLE EXPRESS in the same sentence as CITIZEN KANE, in its own little neck of the cinematic woods the Judd Apatow/Seth Rogen comedy is perhaps just as groundbreaking. In fact, it\’s nearly impossible to think of another film that blends so seamlessly pitch-perfect stoner babble with high-octane action sequences. <br><br>Dale Denton (Rogen), a process server with a weed fixation, witnesses a murder and turns to his dealer, Saul (James Franco), for support. The murderer is actually Saul\’s main drug supplier, and because of Saul\’s access to some extremely rare high-grade pot (called Pineapple Express) the two are quickly tracked down and put on the run. Like all Apatow/Rogen vehicles, the movie deals with the theme of men succumbing to adulthood and all the adjustments they are forced to make in the process. However, unlike KNOCKED UP and THE 40 YEAR OLD VIRGIN, PINEAPPLE EXPRESS is just too wacky to offer any lessons. Still, there\’s more going on here than giggles and the munchies. Indie director David Gordon Green (SNOW ANGELS) brings a subtle auteur\’s touch to the proceedings, approaching the smoking scenes with his distinctively loose feel and giving the action sequences a wonderfully dated sheen that makes them look more like a fight from KNIGHT RIDER than the empty flash of 21st-century blow-‘em-ups. It is Franco, however, who truly steals this movie–he hasn\’t been this charming since his days on FREAKS AND GEEKS. There\’s only so many ways to play a stoner, but Franco puts his own endearing, lovable spin on the type, portraying Saul as a kind-hearted, well-intentioned yet hardcore dope smoker. Rogen and Apatow have proven themselves a nearly unstoppable juggernaut; here\’s hoping they bring Franco along on the ride a little more often.

With the help of Lieutenant Jim Gordon and District Attorney Harvey Dent, Batman has been making headway against local crime…until a rising criminal mastermind known as The Joker unleashes a fresh reign of chaos across Gotham City. To stop this devious new menace–Batman\’s most personal and vicious enemy yet–he will have to use every high-tech weapon in his arsenal and confront everything he believes.

MAMMA MIA became a Broadway smash when it hit Broadway back in 2001. With a story framed around the music of the Swedish pop band Abba, crowds loved its raucous, dance party vibe. Now it comes to the silver screen, with some truly delightful performances from the likes of Meryl Streep and Pierce Brosnan. It is the story of Sophie (Amanda Seyfried) a young woman living on a picturesque Greek island with her mother, Donna (Streep.) Together, Donna and Sophie run a ramshackle island inn, and they are in the midst of preparing for Sophie\’s wedding. As the wedding approaches, Sophie becomes troubled by the fact that she has never known her father. She was the result of one of her mother\’s summer flings, and her mother has never revealed her father\’s identity. When Sophie stumbles upon her mother\’s diary, she learns that there are three possible men who could be her dad. Without telling her mother, she invites all three to her wedding. When Harry (Colin Firth), Sam (Brosnan), and Bill (Stellan Skarsgard) all arrive at the same time, Donna is of course shocked and overwhelmed by seeing her old lovers again after such a long time. She turns to her two best friends, Tanya (Christine Baranaki) and Rosie (Julia Walters), for their support, and vows to just get through the wedding and weekend. Meanwhile, Sophie spends time with each man, determined to learn the truth.<br><br>Major hijinks and confusion ensues, all amidst the utterly romance scenery, and the rather irresistible, swelling love ballads. Streep has a lovely singing voice, and to watch her throw herself into this whimsical role is truly a delight. She looks like she is having a ball, and it is hard not to shimmy along with her. Baranski reliably delivers an over-the-top showstopper, and Brosnan\’s tender singing voice makes his character all the more touching. The film strives to be a jubilant celebration of mother/daughter relationships and the love between good friends, and no matter how cheesy some may find Abba, it is hard to resist its many charms.

STAR WARS: THE CLONE WARS showcases an entirely new look and feel to the galaxy far, far away - combining the expansive scope of the Star Wars Saga with state-of-the-art computer-generated animation. On the front lines of an intergalactic struggle between good and evil, fans young and old will join such favorite characters as Anakin Skywalker, Obi-Wan Kenobi and Padme Amidala, along with brand-new heroes like Anakin\’s padawan learner, Ahsoka. Sinister villains - led by Palpatine, Count Dooku and General Grievous - are poised to rule the galaxy. Stakes are high, and the fate of the Star Wars universe rests in the hands of the daring Jedi Knights. Their exploits lead to the action-packed battles and astonishing new revelations that fill STAR WARS: THE CLONE WARS.

Curtis Plummer — a down-on-his-luck former high school football star — turns his niece, Jasmine, into the quarterback of the local team, the Minden Browns, and gets his stride back when he becomes the team coach. With Curtis as their new leader and their pigtail-wearing star player, this team of misfits wins its way to the Pop Warner Super Bowl and the small city of Minden, Illinois, is ignited with team spirit, town pride and the glory it once knew.